ProgramME for accordeon
LINGUISTIC VARIATIONS 
"The programme here presented, is a way through those particular types of compositions, that don’t have as a main goal the musical language innovation, but a real re elaboration of itself: the object is not a research of something new (language experimentation), but a real operation on the language itself; that’s the reason why: Linguistic variation. The synthesis of different period among each other let us think about a real handicraft composition. Big authors such as Bach and Frescobaldi have worked on standard music using new musical expressions, increasing forms and styles, but always respecting their history. The concept of variation (Paganini) is strictly related to this concept where it is easy to find material with traditional origins and not. In variations on the anonymous ucrain theme “Schone Minka” we find a real agglomerate of remade writings on the same theme done by anonymous, perhaps with Russian origins. The popular variation is even on the base of my piece dedicated to M Marco Lo Russo and nothing was easier than re elaborate that sonorous humus (la milonga) that is so deeply inside me. "
Roberto Di Cecco
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Variazioni sul capriccio 24 op. I (N. Paganini)
Largo al Factotum, dal Barbiere di Siviglia (G. Rossini)
VIRTUOSITY FOR ACORDION
"The programme is based on an Italian composition itinerary dedicated to virtuosity. It’s in fact not only the main object, but is the particular component of compositions presented as well. Two of the most famous Italian composers belong to musical history not only because of their particular way of writing but because they have drawn border lines between musical expression and executive technical mean; big composition thickness can be able to hide technical execution; in fact technical mean linked to the execution itself, seems to be secondary compared to the musical genius of Rossini and Paganini. This kind of literature is really suitable for the accordion execution, that has itself a big repertory transcribed. Two pioneers such as Pietro Deiro and Luciano Fancelli, have contributed to spread the accordion transcribed repertory, not only as performers but as transcribers as well, in fact they resulted to be the link between the old musical expression and the executive technical means, still used by us with the accordion. "
Marco Lo Russo
