Devised they give Marco Lo Russo, Franco Ciambella, Francesco Milana and Maria Cristina Tisato, Future Tango are a music performance and dance.
A creature of the future finds again herself in anticipates emotionally with a neutral and rational attitude in a bedroom of Buenos Aires and relaziona with a woman who is the memory of a dense past of sexiness, passion and humors umanie.
The expression of this encounter-crash is the dance of which humor it is the Tango, than is also contaminated of future maintaining to its matrix original, competition of the roles carried out with passion, sexiness and fusion of one in the other.
In Future Tango the vital overhong and the book of martyrs of the istintività become musical matter of evocative atmospheres and colors pertaining to the Tango and contaminated music.Beside compositions originals they are ollowed celebrates topics of the tanghero directory rielaborati in acoustic key or electronics, coreografati from the dancers Maria Cristina Tisato (RAI, Teatro dell’opera di Roma) e Francesco Milana (Teatro dell’opera di Roma).
Marco Lo Russo acordeon, diamonica, music and programmings
Kustracodan dancers
Music by M. Lo Russo, A. Piazzolla and varius
Choreographies Francesco Milana and Maria Cristina Tisato
Customs devised they give Franco Ciambella realized they give Anna Coluccia e Annalisa Gallina
Born as a CD library of original compositions for RAI TRADE Marco Lo Russo, became a concert jazz quartet (accordion, piano, bass and drums) with ethnic sounds that evoke sensuality of the tango, Latin and Mediterranean atmosphere via suggestive jazz.
Born as a CD library of original compositions for RAI TRADE Marco Lo Russo became a concert-live show, with sounds that evoke ethnic Latin sensuality of tango and Mediterranean atmosphere via suggestive jazz with the special participation of professional dancers who choreographed the sinuous melodies.
Mediterranean accordion receved the better nomination like CD 2008 of ORPHEUS AWARD JAZZ Music
The accordion plays with the sounds of multi-instrumentalist Max Zagonari. The two musicians are loaded into a musical journey that reads from jazz soundtracks, renowned author and international hit songs in a personal way of never losing sight of the background which now belongs to us and around our time.
If Ichnos, from ancient Greek, refers to the outline and then the visible sign of human passage, the violin and the accordion are ideal tools to transfer an ever present emotional and sentimental.
Produced by a> distributed Deltadischi.
Italian films of the white telephones of the 30s and 40s ended up becoming the plays with music, or rather with songs. At that time it was thought that it was easier to conquer the audience with a kind of vocal style more in keeping with Italian traditions: the singing in a kind of song that was a subsidiary of romance and Neapolitan songs.
In this concert: the accordion, played in an original and versatile Marco Lo Russo and soprano Sandra lilies, will change from time to time in romantic love or the chanteuse of Naples, in the passionate Tango or the woman's aggressive German cabaret.
Cinema sings received Award SONORA 2007 as the best show on Italian soundtracks.
The lyrical oboe and his stamp is highlighted by original compositions and classical repertoire transcribed and specially designed to enhance a principal instrument of the orchestra classical.